느리고 어두운 리듬을 통해 '음악적 공간'을 극단적으로 구현하려 시도한 점이 특징입니다. 이를 위해 등장하는 모든 성부에 리버브나 딜레이 효과를 적극적으로 적용한 반면, 화성 자체는 매우 단순하게 구성되어 있습니다. Plastikman은 미시간과 온타리오의 광활한 평야에서 그 영감을 얻었다고 말했습니다. 이러한 시도는 IDM에 가까운 테크노를 시도해 왔던 그의 음악적 커리어 전체에 미루어 볼 때 매우 이질적인 것입니다. 물론 음색 등에서 특유의 광기 자체는 사라지지 않고 남아 있습니다.

1. “Contain” – 8:29
2. “Consume” – 11:19
3. “Passage (in)” – 0:53
4. “Cor Ten” – 6:50
5. “Convulse (sic)” – 1:22
6. “Ekko” – 3:55
7. “Converge” – 4:24
8. “Locomotion” – 8:49
9. “In Side” – 12:37
10. “Consumed” – 11:42
11. “Passage (out)” – 3:11

Consumed spelt out an entirely different concept, stripping away what people had known about Plastikman, laying out a new manifesto in this exploration of minimalism. “There’s something intriguing about this album,” rRoxymore told Electronic Beats in 2015. “The music is like a big vacuum that sucks you up. Time stops. I find it mysterious and luminous. It’s fully cathartic.” (중략) What makes Consumed such a vital album to this day is that, for all its unflinching experimentation, it’s actually not hard to listen to. It can fill a space without drawing unwanted attention. Various strains of techno adopted ambient principles early on, but Consumed demonstrates the merging of styles reaching a kind of maturity. The sound palette is subdued and the repetition is unforgiving, as if it positively shuns your attention. - link

Consumed came because I wanted to take people deeper and change the whole viewpoint of what Plastikman was or should be. Interview with Richie Hawtin

• Richie Hawtin’s Consumed paved new roads for minimal techno